Radiohead à Chicago

[Oliv']

Merci I'mnothere!

le son est plutôt bon.

Ah si seulement il pouvait y avoir un aussi bon bootleg pour leur concert à rock en seine  

[Imbéciloteque]

Marche pas yousendit quelqu'un a un lien qui marche (bonne qualité) pour All I Need  :amen:  ?

[Canard de barbarie]

Merci I'mnothere!

le son est plutôt bon.

Ah si seulement il pouvait y avoir un aussi bon bootleg pour leur concert à rock en seine  

e2tv est partenaire de rock en seine ; on aura probablement un dvd

[fontanelle]

C'est vrai qu'elle est bien cette chanson ..
Merci Hunting pour le lien  :)

[arsen]

e2tv est partenaire de rock en seine ; on aura probablement un dvd

ouais mais apres la sortie de l'album si il ya des titres 'inedits'
qui doivent etre diffuses sinon, ca risque d'etre une version editée

mais duck, je dois te dire que ca fait un moment que je pense a cette
diff... et a mon avis toi aussi !!!

[I'mNotHere]

La critique du Chicago Tribune:

Radiohead as always a challenging, thrilling work in progress[/b]
          
By Greg Kot
Tribune music critic

Things have been ominously quiet in the Radiohead camp for a couple of years, accompanied by reports of near-breakups and false starts on a slow-developing new album.

But the U.K. quintet looked and sounded rejuvenated Monday in the first of two sold-out concerts at the Auditorium Theatre. And it came bearing gifts: Nine new songs that bristled with fresh ideas.

   
It was a treat to see a band of this stature (six acclaimed million-plus-selling albums in 14 years) in such a relatively small and acoustically pristine space. During the course of the nearly two-hour, 23-song set, the band dipped into its formidable back catalog with vigor and authority. "There There" rode a triple-stacked drum barrage until Jonny Greenwood's guitar tolled like a funeral bell; Greenwood hunched over his armada of keyboards to conjure sonic poltergeists and send them screaming across the horizon of "The National Anthem"; and "Bones" was excavated by Colin Greenwood's plaster-busting fuzz bass.

But the real reason to see this show wasn't to revisit past triumphs, but to glimpse the works in progress. With the band's last studio release, "Hail to the Thief," now 3 years old, Radiohead is using the current tour to road-test a batch of songs for a forthcoming album, tentatively set for release in 2007. It seems each Radiohead album arrives with growing pains. Every few years, the band endures an internal reckoning, and the turmoil bleeds into anxious, deeply unsettling, frightfully beautiful music. A band bent on not repeating itself is setting itself up for frustration and conflict. So far, the battles have been worth it; each new release has held surprises and songs with staying power.

Will the new material hold up just as well? It's too early to tell, certainly, because Radiohead songs inevitably go through several transformations before they're recorded. But there were several promising new additions showcased at the Auditorium.

If there was a thread connecting the new songs it was this: a leaner, almost cutthroat sense of economy and rhythmic drive, and renewed reliance on guitars instead of the keyboard textures that have dominated the arrangements since the 2000 landmark, "Kid A."

"15 Steps" boasted a hip-hop feel, with hand-claps and electro-rhythms pounding out a syncopated beat while Thom Yorke's normally elongated vocals ventured into clipped, rap-like phrasing. A frantic soul groove gripped "Bangers 'n' Mash," with Yorke on tambourine and a cocktail drum kit augmenting Phil Selway's stampeding backbeat. "Open Pick" was a straight-up rock song, three guitars revving over Selway's foundation, a nod to the Radiohead of 1995, circa "The Bends." A terse but bracing instrumental, "Spooks," took the treble-soaked surf guitar of Dick Dale and tripled the intensity; this was the sound of a tsunami turning the beach into a wasteland. Best of all was "Down is the New Up," another surging, stacked double-drum groove with Ed O'Brien sending shivers down spines by bending a single guitar string until it moaned.

The new ballads found Yorke once again pulling lovely melodies out of turmoil. In "Videotape," the singer arrives at the gates of heaven, only to have Mephistopheles grasping at his ankles. "Nude," which has been floating around on Radiohead set lists since the '90s but has never surfaced on an album, now appears ready for its close-up: a tinge of reggae in the rhythm section, with Yorke in falsetto cry, even as Jonny Greenwood's guitar chords turned violent. The hymn-like "4 Minute Warning" prompted the band to huddle around Yorke's upright piano as if in a bomb shelter, an appropriate scenario as the song references Britain's nuclear defense strategy during the Cold War. But the most surprising mood swing was accomplished by the penultimate song, "House of Cards." It arrived with little fanfare, just steady handclaps and a delicate vocal, as if a weight had been lifted from the band's sloped shoulders. The wan melody floated like a leaf in a breeze, then settled on Jonny Greenwood's guitar, and with a single sustained chord he gave it a majestic sendoff.

It's anyone's guess if any of these songs will end up on Radiohead's next album. But this foreshadowing of what might be surely left the band's fans hoping for the best.

[jcradiohead]

All I Need


I'm the next step (???)
Waving in the winds (???)

I'm a flash flood
Running through your ground floor
I am ??? that you choose to ignore

You're all I need
You're all I need
I'm in a middle of a picture
I am ???
I am ???
just want to share your life
I'm a ??? who wants to get out of the night
You must take me in because there are no others
You're all I need
You're all I need
I'm in the middle of the picture
Lying in the breeze (??)

It's all wrong
It's all right
It's all wrong
It's all right
It's all wrong
It's all right

[Raphael]

génial ! merci pour les paroles je les cherchais !
je la trouve terrible ! autant que videotape et arpeggi, c'est dire !      

[Ectorleressor]

hum...depuis ce matin j'éssai d'avoir "all i need" en bonne qualité via "yoursendedit" mais ça ne marche pas avec mozilla je n'ai rien qui s'affiche et avec internet explorer il me met un message d'erreur comme quoi "null" n'est pas une valeur (j'y comprend absolument rien) donc eu...je sais que c'est peut-être pas le bon endroit pour demander de l'aide mais je veux ce morceau en qualité écoutable à tout prix! S'il vous plaaaîîîttt    

Ps. le post d'en dessous est une erreur de manip' mille excuse (oui je sais j'assure pas)

[Anonymous]

hum...depuis ce matin j'éssai d'avoir "all i need" en bonne qualité via "yoursendedit" mais ça ne marche pas avec mozilla je n'ai rien qui s'affiche et avec internet explorer il me met un message d'erreur comme quoi "null" n'est pas une valeur (j'y comprend absolument rien) donc eu...je sais que c'est peut-être pas le bon endroit pour demander de l'aide mais je veux ce morceau en qualité écoutable à tout prix! S'il vous plaaaîîîttt    

[Imbéciloteque]

Pourquoi ca ne marche pas pour moi le lien yousendit  

FAut faire un truc spéciale ?

[Guillome]

parfois une fois inscri ça marche
les liens sont valides plus longtemps

[Ectorleressor]

Guillome     
parfois une fois inscri ça marche
les liens sont valides plus longtemps

Oua merci beaucoup, ça fonctionne!

[jcradiohead]

Je l'upload sur megaupload

http://www.megaupload.com/fr/?d=PVLANT9H

Un autre mp3 est dispo ici

http://www.xs4all.nl/~lders/radiohead/20060620-Auditorium_Theatre_Chicago/13%20All%20I%20Need.mp3http://www.xs4all.nl/~lders/radiohead/20060620-Auditorium_Theatre_Chicago/13%20All%20I%20Need.mp3

[hunting android]

http://www.yousendit.com/transfer.php?action=download&ufid=BB30E3E02E472384

All i need en Flac.