Air-Radiohead.com
AiR-RadioheaD.CoM => RADIOHEAD => Discussion démarrée par: cutonio le mer. 9 juillet 2008, 11:50:55
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Voici quelques révélations faites par Ed lors de son interview réalisée par un membre d'atease :
They'll look into releasing the Bonnarroo DVD, it's not a dead project.
South America in march/april 2009, he mentioned Brazil, Chile, Argentina and Mexico, there might be more. The dates are currently being worked out.
Bangers And Mash was started in 2004 already, and much of what was used on the released recording is from that period.
Phil's solo album is work in progress. He has written own songs and sings, Ed says it sounds great.
Ed is definitely wanting to sing lead, but on his own songs, he has written several.
There will be another "7 Worlds Collide" project with Neil Finn (again Ed and Phil), this time in the studio, Ed says it may be a good occasion to sing his own songs.
Ed has written Meeting In The Aisle and Lull, and also the music for Big Boots!!!!
Big Boots and Lift are pretty much dead, so is I Promise.
The old Reckoner is still very alive...
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Ah ptain une tournée en Amérique du Sud! :love:
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t'y vas ?
LOL
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tiens je suis curieux d'entendre ed et phil chanter leur propres chansons !
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t'y vas ?
LOL
nan c'est petit voyage cette année avec le CE. Et on est déjà allé au Mexique cette année.
Va falloir que je raque :D
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eh ben moi je trouve ça super qu ils aillent enfin vers l amerique du sud , qui sait un jour ils iront en inde et en afrique , je suis preneuse de toutes les dates s ils le font , histoire de changer du toujours europe / usa / japon ..... apres tout faut bien qu ils montrent l exemple , ils ont toujours été novateur pour le retse , pourquoi pas donc...
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Il y a déjà des groupes qui le font, mais ça reste trop rare.
Néanmoins, c'est très bien de voir que des groupes comme Radiohead (ou Muse cet été) se soucient du public sud-américain.
Concernant le reste des révélations de Ed, le DVD du Bonnaroo, ils en parlent assez souvent, alors je veux bien y croire. Et c'est sympa de voir que chaque membre du groupe (sauf Colin, non?) a un projet solo.
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eh ben moi je trouve ça super qu ils aillent enfin vers l amerique du sud , qui sait un jour ils iront en inde et en afrique...
yep, je trouve ça sympa aussi, et surtout pour les fans. après très égoïstement, ça m'arrangerait qu'ils y aillent plutôt fin de l'année. genre s'ils pouvaient faire l'Argentine 2ème / 3ème semaines de décembre, avant de rentrer au bercail, pour Noël. :blonde: (j'en reviens pas que ce smiley s'appelle "blonde")
et ravie pour leurs projets solos, too. j'attends le résultat. bon, faudrait pas non plus que cela les retarde du prochain album, hein.
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dans ce cas là je ne vois pas ce qui les empêche de venir à Auxerre aussi :o
oui bon ok j'y vais...
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Il y a déjà des groupes qui le font, mais ça reste trop rare.
Néanmoins, c'est très bien de voir que des groupes comme Radiohead (ou Muse cet été) se soucient du public sud-américain.
Concernant le reste des révélations de Ed, le DVD du Bonnaroo, ils en parlent assez souvent, alors je veux bien y croire. Et c'est sympa de voir que chaque membre du groupe (sauf Colin, non?) a un projet solo.
Moi j'aime pas trop ça la dispersion dans divers projets solo :warrior:
Moi de temps pour Radiohead (et peut être moins d'envie) :glob:
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dans ce cas là je ne vois pas ce qui les empêche de venir à Auxerre aussi :o
oui bon ok j'y vais...
je crois qu'ils ont du mal ac les maniaques de l'aspi et du fer à repasser. mais je dis ça, je dis rien.
OK, je sors aussi.
Moi de temps pour Radiohead (et peut être moins d'envie)
vous êtes bine possessif / ve, là sur ce coup...
perso, je trouve que ce sera tjs plus riche que d'entretenir des frustrations à ne pas mener à bien ses propres projets, & que le groupe en tirera aussi des bénéfices (non pas en $), des réussites ou des demi-succès de chacun.
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perso, je trouve que ce sera tjs plus riche que d'entretenir des frustrations à ne pas mener à bien ses propres projets, & que le groupe en tirera aussi des bénéfices (non pas en $), des réussites ou des demi-succès de chacun.
pas mieux , apres tout thom yorke et jhonny greenwood ont bien fait leurs projets deja et phill a collaboré ailleurs , ça n a pas empeché inrainbows dexister et on espere d autres , en plus sur une interview sur utube il dit que ça renforçait le groupe quand ils revenaient ensemble non ?? c est une vieille interview je sais....
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Big Boots and Lift are pretty much dead, so is I Promise.
The old Reckoner is still very alive...
Un peu déçu pour les trois premières, même si on pouvait s'en douter...
En revanche, très heureux de voir que la porte de Reckoner (1er du nom) est laissée ouverte. J'adore !!!!
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Un peu déçu pour les trois premières, même si on pouvait s'en douter...
En revanche, très heureux de voir que la porte de Reckoner (1er du nom) est laissée ouverte. J'adore !!!!
mmmmmmmmouais :hum:
Lift si c'est pour en faire un truc comme ils ont fait en 2006, ils ont bien raison de laisser tomber. ca sentait le syndrome Big ideas...
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mmmmmmmmouais :hum:
Lift si c'est pour en faire un truc comme ils ont fait en 2006, ils ont bien raison de laisser tomber. ca sentait le syndrome Big ideas...
Pourquoi toi aussi t'es plus fan de celle avec les claviers de Jonny ? :lol:
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+1 Pour la tournée en Amérique du Sud, c'est cool que d'autres puissent en profiter aussi, et ils ont beaucoup de fans là bas.
Coolos le DVD Bonnaroo !! :mwarf:
Quelqu'un a des infos sur le comment de cette interview ? Comment il a fait le gars d'atease pour interviewer Ed ? C'est qui d'ailleurs, un fan comme vous et moi ? Journalistiquement parlant c'est intéressant aussi.
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oui alors j'ai un peu suivi l'histoire...
en fait ce mec est Allemand et il a un fanzine depuis des années ( www.citizeninsane.eu) , et suite aux nombreuses questions que lui et les autres fans se posaient sur la genèse des chansons du groupe et autres (et que les superficielles interviews des journaux les laissaient sur leur faim), il s'est décidé a écrire au manager de RH, Chris Hufford.
Il lui a donc expliqué dans un mail qu'il voulait interviewer Ed car selon lui c'est celui qui lui semblait le plus à même de mener une interview interessante ( :lol:), enfin, il lui semblait le mieux placé pour répondre a ses questions quoi (ed étant la mémoire vive du groupe)
Enfin bref, le manager lui a répondu et ils lui ont dit que c'était OK pour une petite rencontre de 45 mn avant le show à Berlin, voilou...
Ils lui ont donné rdv dans un super palace 5 étoiles apparement :glob: à 500 - 1000 euros la nuit, se font pas chier avec nos sous :lol:
là il a filé les liens pour écouter en quick time l'interview, mais il va bientôt la transcrire a l'écrit, ce qui sera plus confortable pour nous petits français qui avons un peu de mal avec les accents brittaniques :aie2:
bref j'attends la transcription avec impatience (je lis quasi couramment l'anglais, par contre pour comprendre l'oral c'est une autre paire de manches :wtf:)
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ah ouais il a révélé aussi que Super Collider ben elle est déjà vieille cette chanson (2005 apparement) et ils ont déjà faite en "full band" à l'époque et elle s'appelait "solutions"!!
Et que Arras était leur meilleur show de la tournée européenne apparement (Bercy et Nimes leur ont beaucoup beaucoup plu aussi :)) eheh vive nous le public français :xcited:
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Choppé sur atease:
W: OK, so thanks for taking the time, first of all...
Ed: It's a pleasure.
W: So, I've been doing this website for two years now, and there have been some questions accumulating, you know - it's a website that focuses on the songs and the sessions...
Ed: OK.
W: ...how they develop...
Ed: Sure.
W: ...because most of the songs have very interesting histories.
Ed: Yeah.
W: If you think of something like Nude, and things like that. That's interesting, and so people are curious about it. So, first of all: this is the last gig of the tour?
Ed: Yeah.
W: And of the European tour...how was it for you, so far?
Ed: It's good! Yeah, we've been doing it for about four weeks in Europe, and about three weeks before that in America, and it always...we're ready for a break, you know. It's been full-on.
W: Favourite gigs?
Ed: Last night in Arras was really good...Roskilde...
W: The festivals?
Ed: Yeah. Roskilde was good, Bercy was great, Nimes was great, Victoria Park...Glasgow was great, Manchester. Italy, second night in Milan was good. I really enjoyed Hurricane; Hurricane and Southside, they were good. We enjoyed doing those. They've all been...I mean, Werchter was probably the low point...
W: Why was that?
Ed: Sometimes it just doesn't click, and... it was still OK, but it wasn't great. Few technical problems, and stuff like that.
W: And now you have two weeks off?
Ed: Two and a half and then we're over to America.
W: America, and then a whole month off?
Ed: Yeah.
W: And Japan dates, a few Japan dates?
Ed: Yeah, that's right.
W: And then this tour, In Rainbows, is finished?
Ed: Yeah, yeah. Apart from we're looking to go to South America next year.
W: Yeah, that was a big question, a lot of people have been asking about this...
Ed: We're trying to get dates. Definitely in Brazil and Argentina and Chile, and hopefully in Mexico as well.
W: You have loads of fans there...
Ed: Yeah, and we've never been there. I've spent quite a lot of time in Brazil.
W: Yeah! I've seen that T-shirt, Copacabana...
Ed: Yeah!
W: (laughs)
Ed: And my wife's spent a lot of time in South America every year, so I think it would be a great place for us to play.
W: So this would be March, or...
Ed: Looking at March/April, somewhere around that time, yeah.
W: But nothing can be...
Ed: Nothing yet. We haven't finalised anything, we're trying to work out all the detail, 'cos it's quite tricky.
W: And Mexico as well?
Ed: Hope so, it'd be nice to go back there.
W: Yeah, that's...14 years? Or more than 14 years?
Ed: Yeah, it'll be 15 years.
W: And that was a heavy tour?
Ed: Yeah, you know...I mean, everything was pretty heavy then. (laughs)
W: But that was...I mean, the tension of...when was it, October?
Ed: Yeah.
W: '94? When making The Bends?
Ed: Yeah. It was...that whole time was painful. The record we were trying to make, where we were moving, and I think Mexico brought it all out because we were getting less sleep, we had less sleep, and we were tired. And we'd just been in Thailand...
W: Yeah...
Ed: ...and then we had 24 hours at home and then we were back out the other way, so... It was a great tour, it was really one of those memorable tours.
W: It was filmed, wasn't it? I think there was a documentary planned, but it never...
Ed: No, no...
W: There's footage on YouTube.
Ed: Really?
W: Professional footage, I think there was some kind of documentary... interviews, and they filmed at the gigs, there's an Anyone Can Play Guitar clip and stuff.
Ed: Right. OK. Well they didn't follow us around, maybe it was at one show. I don't really remember.
W: Yeah. Maybe there was some kind of documentary planned, I don't know.
Ed: No, it was never planned... if there was, it would have been like the local TV station or MTV in Mexico or whatever...
W: OK. No no, it's some EMI thing...
Ed: EMI thing?
W: Yeah. I don't know what exactly...
Ed: Well, they never followed us around. (laughs)
W: OK. (laughs) Great. Another big fan question, the Bonnaroo DVD...
Ed: Yeah.
W: Any plans?
Ed: Well it's really good, we should definitely try and bring it out sometime. And it was done by Danny Clinch (?), our friend Danny. He filmed it, he directed it. So that should definitely see the light of day.
W: Yeah, great, that would be lovely. And the other thing a lot of people asked about... I'm trying to get this stuff out of the way...
Ed: Yeah, sure.
W: ...Videotape, the debut version. At Hammersmith. That's probably the most popular incarnation...
Ed: Of the whole song?
W: Yeah.
Ed: Ha!
W: Definitely the most popular performance... because it has something: it's the debut, it opens the gig, and no-one knows the song...it's special, a special moment, and I think that comes across in the performance. And it's an amazing thing, and people have been asking... (laughs) if there's any way you can release a sample or a recording of that, or anything...
Ed: Well basically, it's probably on YouTube isn't it? Or it's on something.
W: It's strange. You have loads of people filming, but for that song there's just the end section, or something like that.
Ed: Right, OK. Oh, OK.
W: There's no footage of that. Back then, I was doing some kind of project where I was collecting those clips and piecing them together so you get multi-angle edits...
Ed: Oh wow!
W: ...of the new songs, and there are all those people at the gigs recording the audio. Because the audio of the clips is crunchy, it sounds horrible, but you can use the audio from those guys.
Ed: Right, OK.
W: It looks pretty good. It's on the website, and I wanted to do that for Videotape, and it didn't work because there was no footage of it. (laughs)
Ed: Well, I'm sure in the light of day like all these things... I mean, I don't think we have any plans to release it. I know the version you're talking of, and it didn't work in the studio. It would be one of those things that maybe somebody will flag up later on, and if we put out a bunch of stuff, compile it and put it out like that then maybe we'll do that.
W: Any plans for that?
Ed: No, no.
W: I think maybe it would be a good idea not to put too much thought into this. Like if you want to get out some electronic versions of things like that, the fans would love that. But it's a headache for the band. It's enough trouble to sort out the finished stuff... if you have to think about a tracklist of unreleased material on a boxset of stuff, that must be a nightmare.
Ed: Yeah. Well... I think there'll be a time and a place for it, it's not something that we actually think about. But there might be a time when it's relevant.
W: Because there must be loads of stuff. Do you still have those old tapes?
Ed: Yeah, we've got everything.
W: I was wondering about that, because you haven't always paid for the sessions yourself, did you? The Bends...
Ed: No, well, EMI own all of The Bends and everything up until Hail To The Thief, so...
W: But they don't have the actual session tapes in archives?
Ed: No, we've got some of them. Yeah.
W: But not all of them?
Ed: Yeah, I think we've got most of it.
W: But you couldn't release anything without...
Ed: Without their permission, no.
W: Even if it's unreleased stuff like a song that you never released on the album?
Ed: No. If it's recorded within that contractual period, it's like a period of time. It's not what you put out in that time, it's a period of time.
W: Even if you paid for the session?
Ed: But we didn't.
W: You didn't?
Ed: No.
W: The stuff you recorded at your own studio...
Ed: No. They paid for that...
W: OK. But the studio is yours, you own that?
Ed: Yeah.
W: OK, so then... new songs. Thom has been playing Super Collider...
Ed: Yeah.
W: A few times, four times, I think. And is there any band arrangement for that yet?
Ed: We did a version of it about three years ago...
W: What? (laughs) It's that old?
Ed: Yeah! It's been kicking round... we were rehearsing it in 2005 in our rehearsal studio, and we did a version of it in 2005, when we recorded on our own. Self-produced, with Graham Stuart. And it just wasn't very good. But it's a great song.
W: Was it called Super Collider then?
Ed: No, it was called Solutions.
W: Ah, yeah. Because... maybe you dreaded something like this (shows list, laughs). Because these are some titles from that blackboard. You made a mistake of posting a picture of your blackboard!
Ed: (laughs) Right, OK, yeah.
W: So we have to, just very quickly... some titles. Trills - people seem to think that's Spooks?
Ed: No.
W: It's not?
Ed: No.
W: What is it?
Ed: Trills is a piece of Jonny's that we were working on.
W: But it didn't go anywhere?
Ed: No.
W: 5ths - All I Need? No?
Ed: No.
W: Because people were thinking about fifths being involved in that song...
Ed: Yeah. No, it's not All I Need.
W: It's a different song then?
Ed: Yeah, it's a different song.
W: OK. Burn The Witch. That's already legendary, I don't know why...
Ed: Yeah, it's a great song.
W: Thom has played a few teasing chords...
Ed: Yeah.
W: And people went crazy.
Ed: Yeah. We've just got to do it justice, it's a good song.
W: Really? We have some lyrics: 'this is a low-flying panic attack', etc.
Ed: Yeah. Exactly.
W: OK. But that's something that you'll try and record for the next...
Ed: Who knows? You never know...
W: So you have no idea...?
Ed: You don't know. You don't know if it's like Nude, if it takes ten years to do. You just don't know. It's when it makes sense.
W: Yeah. Morning M'Lord... did you do that for Hail To The Thief?
Ed: Good Morning Mr Magpie.
W: Is that what it's called?
Ed: Yeah.
W: OK. Not Morning M'Lord?
Ed: Or Morning M'Lord!
W: (laughs) OK. But that was around during Hail To The Thief, wasn't it?
Ed: Yeah, it was. i think Thom did a version of it on a webcast, and we rehearsed it, and we recorded it again in that same session in October 2005.
W: Where was that session? I think it was...
Ed: Hook End.
W: No, that was August wasn't it? Six days in August...
Ed: OK. Yeah, you'd know! August. Yeah, end of August.
W: Because this blackboard is from September?
Ed: Yeah, yeah, you're right! (laughs) It is. It was the end of August.
W: That's why I'm asking because I'm trying to piece these things together to write a session history for In Rainbows...
Ed: OK. Yeah...
W: There's lots of stuff...we have bits and pieces from Dead Air Space...
Ed: OK.
W: ...and you certainly didn't post a lot. You started, in the beginning...
Ed: I know, but I just...I don't feel comfortable with it, you know. Yeah.
W: OK. A Pig's Ear was recorded there? Or Pigsee, whatever it's called...
Ed: Yeah, did a bit of that. Pig's Ear, yeah.
W: Bodies Laughing was rehearsed for the tour, in 2006...
Ed: Yeah, a bit. We didn't play...
W: It was on that tour blackboard.
Ed: Yeah, we never really got it together. It's a sort of Brazilian bossa nova kind of thing...
W: Really? (laughs)
Ed: And it was done in 2005.
W: You could play that next year...
Ed: We could do!
W: (laughs)
Ed: We could do. It might be actually the wrong thing to play in Brazil. (laughs)
W: OK. And these titles are still correct?
Ed: They're kind of... Yeah, they all move, they're a work in progress. But at one time or other, the songs would've been called that.
W: Stuff like this, Skirting On The Surface... that's old, isn't it? Skirting On The Surface goes back to OK Computer... because some lyrics appeared back then, on a website...
Ed: Right. Maybe, maybe.
W: Did you do it during Kid A?
Ed: No.
W: How old is it then?
Ed: I'm not sure.
W: OK. But it's old. (laughs) Yeah, loads of titles... Fela Kuti Thing? What's that?
Ed: That's just a jam that we did. 2005 again. Edited it together, it's like a three-minute jam.
W: OK. And Solutions was Super Collider... No Shame, what's that?
Ed: No Shame... not sure what No Shame was.
W: (laughs) You don't remember? OK. Eye Of A Needle?
Ed: No. Don't recollect that.
W: Big Cheese?
Ed: Big Cheese, know what that is.
W: And that's still something that could go somewhere?
Ed: Er... Big Cheese...was something we were possibly going to come on to. It was going to be one of those tracks that you come on to live. But it didn't work out quite.
W: For this tour, you rehearsed it?
Ed: No, we didn't rehearse it, it's the coming-on music.
W: Oh, that's the coming-on music?
Ed: It's not the coming-on music. But it could've been.
W: It was supposed to be. What is the coming-on music called?
Ed: I'm not sure.
W: It doesn't have a title?
Ed: It does, but I don't know what it is.
W: It's a piece by Jonny, or...?
Ed: No, it's something that Thom did on his laptop.
W: OK. You could release it as a B-side, like Where Bluebirds Fly or something.
Ed: We could! That's right.
W: Yeah. And I Am Walking On Stage Now was this thing in 2006... in the beginning was radio sounds and stuff like... this strange coming-on music in 2006... bits from the radio or something.
Ed: Yeah, that was just something... Jonny had some Mac software, he was mixing it live so we came on to it. And that wasn't a piece of music, it changed every night.
W: And what's I Am Walking On Stage Now? It sounds like it was supposed to be some kind of coming-on music, or...
Ed: Yeah, possibly. I can't recollect that piece of music.
W: OK. We'll put that away. (laughs) OK, good. It's just nice to know that 5ths is not All I Need...
Ed: No, it's not.
W: OK. So have lots of new songs been written as well?
Ed: Yeah, there's lots of new stuff kicking around.
W: There was a recent interview with you and Thom done on the American tour, where you said that Thom did a song called Slave? And that he sent it home to Nigel to mix it?
Ed: Mm-hmm.
W: I thought that was very strange, that you record something on tour and then it's mixed?
Ed: Yeah.
W: Is it that good?
Ed: Well, the good thing is that he was able to probably work on it on his laptop. And he could send it as an audio file, and Nigel can pick it up and mix it.
W: And that's usual procedure? No?
Ed: No, that's very unusual.
W: So, this new material... is any of that intended for a new solo album by Thom? As you say, it's a laptop thing...
Ed: It might be. I don't know, we haven't discussed... we're going to do some studio stuff and rehearsing in November.
W: In November? OK.
Ed: Yeah.
W: So not in September, there's nothing...
Ed: Well, we're in between tours. We can't really. You know, we won't have the gear. So basically come November, we'll have the gear and we'll get into our studio, do a bit of rehearsing.
W: OK. And see where it goes?
Ed: Yeah, exactly. So it's all very open at the moment.
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Bon ben novembre ils rentrent en studio... espérons qu'ils en ressortent avec quelques trucs intéressants :xcited:
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tres interessant.
vers la fin, on a un peu l'impression que Ed en a un peu marre :D
la version de Videotape dont il est question au debut :
http://www.youtube.com/watch?v=So_JEs2FVeA
c'est vrai que c'etait pas mal.
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tres interessant.
vers la fin, on a un peu l'impression que Ed en a un peu marre :D
la version de Videotape dont il est question au debut :
http://www.youtube.com/watch?v=So_JEs2FVeA
c'est vrai que c'etait pas mal.
tu m'étonnes avec les questions state of the obvious...
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c'est vrai que c'est un peu des questions de fan psychopathe :aie:, il parle de trucs dont même Ed se souvient pas :hehe:
merci pour le lien nicolas, je cherchais justement, ce que je cherche aussi mais que je trouve pas c'est la version ancienne de Reckoner, il en est question aussi a un moment dans l'interview
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c'est vrai que c'est un peu des questions de fan psychopathe :aie:, il parle de trucs dont même Ed se souvient pas :hehe:
merci pour le lien nicolas, je cherchais justement, ce que je cherche aussi mais que je trouve pas c'est la version ancienne de Reckoner, il en est question aussi a un moment dans l'interview
gorge 2001
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tres interessant.
vers la fin, on a un peu l'impression que Ed en a un peu marre :D
la version de Videotape dont il est question au debut :
http://www.youtube.com/watch?v=So_JEs2FVeA
c'est vrai que c'etait pas mal.
grand dieu, je préférais quand même 10 fois cette version
Comment ça je l'ai déjà dit 8 fois ?! :hum:
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Big Boots and Lift are pretty much dead, so is I Promise.
:fear:
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grand dieu, je préférais quand même 10 fois cette version
Comment ça je l'ai déjà dit 8 fois ?! :hum:
ben ouais moi aussi :( du coup je n'écoute presque jamais la version de l'album, je coupe souvent le disque avant la fin :/
en même temps je me dis que pour clôturer un album la version studio est quand même mieux.. arf
personne sait où je peux trouver le mp3 en bonne qualité de cette version live? j'en ai déjà une qui est très bien mais c'est pas celle de Hammersmith...
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gorge 2001
merci!!
j'avais jamais entendu, rien à voir avec la choucroute (la version d'IR) :yeeh:
voici le lien pour ceux qui veulent http://www.youtube.com/watch?v=qc_3R2-TIJk
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personne sait où je peux trouver le mp3 en bonne qualité de cette version live? j'en ai déjà une qui est très bien mais c'est pas celle de Hammersmith...
Essaye ça:
http://www.ronaldvdberg.nl/giglinkdump/?p=121 (http://www.ronaldvdberg.nl/giglinkdump/?p=121)
c'est là que je l'avais eu à l'époque
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merci!!
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Pour moi la meilleure version de Videotape reste celle de San Diego, Bayside du 27 juin 2007 si je ne dis pas de conneries, c'est une tuerie.
Elle ressemble à celle d'Hammersmith mais l'intro est encore plus belle selon moi...
Pour ceux ou celles qui l'ont, écoutez là et tenez moi aux nouvelles... :lol:
Autant pour moi, 27/06/2006.... :lol:
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ca serait pas plutôt en 2006 par hasard ?! ;)
sinon c'est vrai que cette version est :love: !
pourquoi il ne la font plus comme ca ?!!!!
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grand dieu, je préférais quand même 10 fois cette version
Comment ça je l'ai déjà dit 8 fois ?! :hum:
Et moi donc...
Ca aurait ete parfait pour finir IR plutot que le pipo bimbo
de boite a rythme que Jonny colle un peu partout quand ils veulent
pas faire 'du radiohead'....
Enfin, bon, histoire de faire iech, moi videotape je l'ai éditée
et coupé la reprise de BaR a la fin, ca dure trop LOL
(et puis j'ai édité le debut de Nude aussi MdR [ben quoi j'aime pas ce
reverse foireux, je prefere avec la basse seule, 6 mesures et hop, la batterie).
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(et puis j'ai édité le debut de Nude aussi MdR [ben quoi j'aime pas ce
reverse foireux, je prefere avec la basse seule, 6 mesures et hop, la batterie).
SACRILEGE!
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hannnn!!!!!!!! :fou:
:lol:
je crois qu'il ya vraiment un consensus des fans du monde entier sur Vidéotape...
ce sera la plus grosse boulette de leur carrière on va dire :think:
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hannnn!!!!!!!! :fou:
:lol:
je crois qu'il ya vraiment un consensus des fans du monde entier sur Vidéotape...
ce sera la plus grosse boulette de leur carrière on va dire :think:
consensus que dalle...
relis le topic videotape dans la section In rainbows.
je trouve la version album magnifique moi.
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consensus que dalle...
relis le topic videotape dans la section In rainbows.
je trouve la version album magnifique moi.
Completement d accord hunting la version de l album est magnifique et est l une de mes preféré de radiohead. Le live est bien mais rien avoir a la version studio. En studio j adore la subtilitée des sons que l on a pas en live surtout à la fin de la chanson.
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SACRILEGE!
OUAIS
probablement mais le coup du reverse au debut de la chanson
ils l'ont deja fait et c'est de la re re a mon gout...
chanson sobre pas besoin de tralalala !!!!
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consensus que dalle...
relis le topic videotape dans la section In rainbows.
je trouve la version album magnifique moi.
+1
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+1
- 1 :spamafote:
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consensus que dalle...
relis le topic videotape dans la section In rainbows.
je trouve la version album magnifique moi.
moi je disais ça par rapport a ce que je peux lire sur d'autres forums et d'après l'interview quoi
W: ...Videotape, the debut version. At Hammersmith. That's probably the most popular incarnation...
Ed: Of the whole song?
W: Yeah.
Ed: Ha!
W: Definitely the most popular performance... because it has something: it's the debut, it opens the gig, and no-one knows the song...it's special, a special moment, and I think that comes across in the performance. And it's an amazing thing, and people have been asking... (laughs) if there's any way you can release a sample or a recording of that, or anything...
bon le mec il a pas la science infuse non plus...
c'est vrai qu'il ya beaucoup d'amateurs de la version studio ici ^^, moi je l'aime beaucoup aussi, enfin je trouve que pour cloturer IR elle est parfaite arrangée comme ça, MAIS j'aime tellement mieux l'autre (vous l'aurez compris)
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bah j'apprécie aussi l'autre version, l'ancienne, un peu pour les mêmes raisons qu'évoque le gars dans son interview, mais je trouve qu'il se dégage quelque chose de supérieur dans la version Cd in rainbows, d'un peu plus profond, plus mesuré, plus en retenue peut-être, mais c'est un fantastique sentiment d'implosion...